SCWC Poets’ Workshop, October 2020
SCWC Poets’ Workshop, October 2020
Poets “seek clarity, precision and truth” (Ron Pretty), which is what happened for seven keen poets at our October group meeting. Most of the workshop was devoted to critical review of our own poetry. Two members have chosen to share the resultant drafts of their work. Jack Oats also spruiked his new book Talking sheds and other corrugations. See virtual book launch on SCWC youtube channel https://youtu.be/LVa16vg3Bpo
A KNIGHT
The body sleeps rejuvenating repairing
the mind quietly processing data creating dreams
an amalgam of fact and fiction
fodder for the bedded knight
hero of all that was and yet to come
champion of all adventures
courageous admired for fairness and justice
in the mind’s nocturnal depths
imaginings flourish
the story never ends
Reality is daylight
you know now where you are
you arise to face another day
no hero no champion
the most ordinary of men
you can but do your best
with what you have
and where you are
But what you do
and what you say
will ride your dreams tonight
where a champion and a hero
will set all things to right
Col Henry
13 October 2020
Paradoxical or how to read a poem
in a poem weather’s never just weather, there’s something other:
behind that cloud, transitory; in back of sunshine, egg.
if it’s raining, it’s not raining; if it’s bright it’s harsh
if the valley’s brimmed with fog, well maybe...
if it’s snowing and snow is due and a figure is approaching
down a road at dusk, think again.
if there’s a hawk, it’s not a hawk
(but there’s another hawk in hiding).
when you read a line there’s another line:
the line on the page and the one becoming.
if you were in an MRI machine reading a poem
you’d see the garden bloom with peonies.
when there’s a season, there’s another season already:
autumn portends winter, winter spring in a tumble never done.
when someone says heart or moon it’s something else they’re saying:
heart isn’t valvular, moon’s not planetary
and when I write you, it’s not you
it’s me and the body extending
and of course, when you reach the end of a poem
that’s the beginning.
4th draft – 14 Oct. 20
Peter Frankis