Image: Kate Mitchell, Hypnotised into Being, 2016 (still), HD digital video, 17 min 42 sec. Purchased by Wollongong Art Gallery 2025.

The SCWC 2026 Poetry Award

invited submissions responding to the theme states:

First Prize $1000

Second Prize $100

Ron Pretty SCWC Member Award $100

Wollongong Art Gallery Ekphrastic Award $100

CONGRATULATIONS TO SHORTLISTED POETS

Melanie Weckert – ‘I Could Have Said’
Melanie Weckert – ‘Canoeing at Lake Wallagoot’
Jan Napier – ‘Ashes’
Sable Rosemont – ‘A State of Trespass’
Kai Jensen – ‘Children of Dementia’
Kai Jensen – ‘The Roundabouts of Nowra’
Isabella Mead – ‘Blue Tins, March 2020’
Scott Leimroth – ‘State of the Tide’
Linda Mcquarrie-Bowerman – ‘How a Bat Can Heave Your Heart into Your Mouth’
Linda Albertson – ‘Safe’
Alana Kelsall – ‘The rooms we open’
Tina Huang – ‘Questions of Framing’
Eileen Chong – ‘Righting Reflex’
Paris Rosemont – ‘Junior’
Elanna Herbert – ‘A Winsor and Newton Postcard’
Kate O’Neil – ‘Just Passing Through’

Winners will be announced at our Wollongong Art Gallery event on Saturday 27 June, where we will also be launching our 2026 Anthology of Writing, Shape Shifters.

The 2026 poetry Award was judged by esteemed poet Julie Janson, co-recipient of the Oodgeroo Noonuccal Poetry Prize 2016 and winner of the Judith Wright Poetry Prize 2019, and Peter Frankis, Chair of the SCWC board.

All winning entries will be published in the South Coast Writers Centre’s 2027 Anthology.

The Award is run in association with the Wollongong Art Gallery exhibition Set States, which brings together a selection of video works by Kate Mitchell, known for her constructed sets and performative, often absurdist gestures. Spanning key works such as Fall Stack, I Am Not a Joke, Beyond Setting Suns, and Hypnotised into Being—recently acquired by Wollongong Art Gallery—the exhibition explores shifting psychological states and embodied experiences: states of mind, states of action, states of play, states of being.

Mitchell’s videos play with humour and endurance, capturing moments where physical and emotional limits are tested or transcended. Her practice examines the fragile space between control and collapse, seriousness and silliness, labour and levity.

Presented in dialogue with works from the Wollongong Art Gallery collection, Set States invites new connections between contemporary Australian video art and historical representations of human agency, ritual, and transformation. The exhibition considers themes of play, perception and performance—suggesting that to “set states” is to be actively engaged with the world, however unstable it may be.